Ten authors spoil the broth in Paramount pre-Code The Woman Accused (1933) starring Nancy Carroll and Cary Grant. Featuring one shocking scene with Grant, Jack La Rue, and a rawhide whip.
Unraveling truth and myth in the life of character actor Stanley Fields. Born Walter L. Agnew, you’ll know him from Cimarron, Little Caesar (1931), Island of Lost Souls (1932), Algiers (1938), and several other major 1930s Hollywood releases.
Posted on December 9, 2016, Kirk Douglas’ one hundredth birthday. Archived posts including “The Centenarians,” TV Listings, and some Douglas favorites.
A brief biography of The Son of Kong star Helen Mack centered around her breakthrough role in RKO’s Sweepings earlier in 1933. With coverage of Mack as child star and explanation of how she reentered the movies in 1931.
Noted for pairing Clark Gable and Carole Lombard a few years before they began their romance, Paramount’s No Man of Her Own (1932) is entertaining beyond their unsurprising screen chemistry. Post features several background notes about film’s complicated pre-production.
Film historian Scott Allen Nollen answers questions about his latest book “The Making and Influence of I Am a Fugitive from a Chain Gang.” Interview covers the film, real-life influence Robert E. Burns, and Nollen’s new book.
One passenger drops after another in Terror Aboard (1933), Paramount’s pre-Code preview of the far-off slasher genre. An all-star cast of B-players is led by John Halliday in this tale of multiple murders at sea.
How Universal horror died in 1936, only to return after a Beverly Hills exhibitor paired Dracula and Frankenstein reissues at his theater in August 1938.
Monday morning, October 24, 2016, it’s the Turner Classic Movies Helen Twelvetrees marathon that we’ve been waiting for! Six movies play beginning at 6:00 am ET. Capsule reviews and details of all six on this page.
Wallace Ford’s head swells after wife Helen Twelvetrees helps make him a radio sensation in Columbia pre-Code My Woman (1933) Also starring Victor Jory, Claire Dodd. Directed by Victor Schertzinger. Article excerpted from Helen Twelvetrees, Perfect Ingenue.