Wild RKO pre-Code gem Are These Our Children? (1931) examines Prohibition-era youth gone wild. Includes brief biography of star Eric Linden. Also co-star Arline Judge.
Biography of Miriam Hopkins (1902-1972), whose legacy should be her racy and sophisticated Paramount pre-Code output—not her feud with Bette Davis, or missing out on Gone With the Wind despite being Margaret Mitchell’s favorite for Scarlett O’Hara.
Ten authors spoil the broth in Paramount pre-Code The Woman Accused (1933) starring Nancy Carroll and Cary Grant. Featuring one shocking scene with Grant, Jack La Rue, and a rawhide whip.
Unraveling truth and myth in the life of character actor Stanley Fields. Born Walter L. Agnew, you’ll know him from Cimarron, Little Caesar (1931), Island of Lost Souls (1932), Algiers (1938), and several other major 1930s Hollywood releases.
Posted on December 9, 2016, Kirk Douglas’ one hundredth birthday. Archived posts including “The Centenarians,” TV Listings, and some Douglas favorites.
A brief biography of The Son of Kong star Helen Mack centered around her breakthrough role in RKO’s Sweepings earlier in 1933. With coverage of Mack as child star and explanation of how she reentered the movies in 1931.
Noted for pairing Clark Gable and Carole Lombard a few years before they began their romance, Paramount’s No Man of Her Own (1932) is entertaining beyond their unsurprising screen chemistry. Post features several background notes about film’s complicated pre-production.
Film historian Scott Allen Nollen answers questions about his latest book “The Making and Influence of I Am a Fugitive from a Chain Gang.” Interview covers the film, real-life influence Robert E. Burns, and Nollen’s new book.
One passenger drops after another in Terror Aboard (1933), Paramount’s pre-Code preview of the far-off slasher genre. An all-star cast of B-players is led by John Halliday in this tale of multiple murders at sea.
How Universal horror died in 1936, only to return after a Beverly Hills exhibitor paired Dracula and Frankenstein reissues at his theater in August 1938.