‘Shop by the Stars’ Immortal Ephemera Store aisle featuring Frank McHugh (1898-1981) mini-biography, along with vintage movie collectibles for sale.
One of James Cagney’s classic gangster movies, The Roaring Twenties (1939) also boasts an especially nasty Humphrey Bogart in its cast, plus strong work from Gladys George. Post includes background about writer Mark Hellinger, real-life roaring twenties personalities Larry Fay and Texas Guinan, plus a look at a pre-Code predecessor Broadway Thru a Keyhole (1933).
Edward G. Robinson in an early gangster role that’s supposed to take a backseat to early talkie attraction Alice White. Film works for fans of both.
RKO-Pathe pre-Code gangster film Bad Company (1931) stars Ricardo Cortez with Helen Twelvetrees and John Garrick. Directed by Tay Garnett.
An illustrated collection of Frank McHugh quotes gathered from various newspapers.
A look at Lee Tracy as the Walter Winchell inspired star of pre-Code classic Blessed Event (1932). Includes back story about the stage adaptation, movie casting and speedy film production, plus a bit about Walter Winchell himself, circa 1932.
Looking at Snowed Under, a 1936 Warner Bros. farce directed by Ray Enright and starring George Brent, Genevieve Tobin, Glenda Farrell, Frank McHugh, Patricia Ellis and John Eldredge. With a focus on “Lawrence Saunders,” who wrote the original story that was serialized in Liberty magazine.
Helen Twelvetrees stars in pre-Code sizzler Millie (1931). Millie leaves her husband after she catches him cheating and she puts monogamy behind her once her boyfriend is caught with another woman too. Can Millie be an independent woman in 1931 and protect her daughter from an even more perilous relationship?
A look at the final scene of One Way Passage (1932) starring William Powell and Kay Francis. How did those crossed glass stems get there anyway?
One Way Passage (1932) focuses on a shipboard romance between the equally doomed William Powell and Kay Francis characters. Frank McHugh is also on the scene and never allows the movie to get too sentimental. Aline MacMahon shines as well.