One Sunday Afternoon made over in Old New York for The Strawberry Blonde. From director Raoul Walsh for Warner Bros. from a script by the Epstein brothers. Starring James Cagney, Olivia de Havilland, Rita Hayworth, and Jack Carson.
The second film adaptation of Babbitt by Sinclair Lewis was released in late 1934. Guy Kibbee is well cast in the title role with Aline MacMahon as his wife Myra Babbitt. Directed by William Keighley for First National-Warner Bros.
Brief look at Paramount’s One Hour Late, a late 1934 release starring Joe Morrison and Helen Twelvetrees. Action takes place over single day at an office. Directed by Ralph Murphy.
Margaret Sullavan stars as innocent orphan who plays good fairy. Frank Morgan pursues, Reginald Owen protects, and Herbert Marshall falls in love in The Good Fairy (1935), a Universal film directed by William Wyler from a screenplay by Preston Sturges.
Brief look at RKO “B” movie CURTAIN CALL. Naive playwright set loose in New York when producers use her terrible play with hopes of taming their only star. Stars Barbara Read, Alan Mowbray, Helen Vinson. Directed by Frank Woodruff.
A brief review of 1935 Fox Films musical-comedy Music Is Magic starring Alice Faye. Bebe Daniels, billed in a supporting role, steals this one. Also features Mitchell and Durant.
Settling in for silent old dark house classic The Cat and the Canary (1927) starring Laura La Plante. Same story as the 1939 movie with Bob Hope, though the earlier movie is more thriller than comedy.
After covering Evergreen (1934) last year I craved more Jessie Matthews. VCI Entertainment has complied with several DVD releases. This post takes a look at four of them: There Goes the Bride (1932), The Good Companions (1933), First a Girl (1935) and Gangway (1937).
Looking at Snowed Under, a 1936 Warner Bros. farce directed by Ray Enright and starring George Brent, Genevieve Tobin, Glenda Farrell, Frank McHugh, Patricia Ellis and John Eldredge. With a focus on “Lawrence Saunders,” who wrote the original story that was serialized in Liberty magazine.
Columbia’s The Corpse Came C.O.D. (1947) was the most interesting of my blizzard viewing, though not because of stars George Brent and Joan Blondell but the quick flashes of Hollywood Gossip Columnists which helped put faces to a few more names.