Edward G. Robinson in an early gangster role that’s supposed to take a backseat to early talkie attraction Alice White. Film works for fans of both.
A pair of Alice White newspaper clippings from 1930. One caricature from The Girl from Woolworth’s and a half-page ad for Old Gold cigarettes.
Universal murder mystery with an excellent ensemble cast revolves around a Gutenberg Bible. Bonus material about the U.S. Library of Congress 1930 purchase of a Gutenberg Bible with funds that ultimately filled the coffers of a Nazi propagandist.
James Cagney stars in Warner Bros. fast-paced Jimmy the Gent (1934), made all the faster by Cagney’s own frenzied performance. Bette Davis co-stars in an underwhelming role while Alan Dinehart excels in his part as rival “Heir Chaser.” Directed by Michael Curtiz and also featuring Allen Jenkins and Alice White.
Enjoying a key scene between Chester Morris and Grant Mitchell in King for a Night (1933) leads to more Morris in a Boston Blackie entry plus Mitchell’s own starring vehicle, Father Is a Prince (1941), itself a remake of Big Hearted Herbert (1934), which is also discussed.
Alice White stars as Dixie Dugan in First National’s SHOW GIRL IN HOLLYWOOD (1930), a behind the scenes movie musical depicting the Vitaphone process and including a stand out performance by former silent screen star Blanche Sweet.
A detailed look at First National’s Employees’ Entrance, an early 1933 pre-code release starring Warren William with Loretta Young and Wallace Ford. A look inside the Franklin-Monroe Department Store at a time when Hoover was a lame duck and the Great Depression was crushing the economy.
A 1933 scandal is generally credited with ruining Alice White’s career, but period reporting seems to let her off the hook. Had Alice White already fallen out of style by 1933?