A chance encounter with the following 110-year-old piece of paper offered excuse enough to continue my February 2014 tribute to Shirley Temple:
I didn’t give much thought to discarding this damaged image of “Katherine” found hanging from the inside of an August 1904 issue of Burr McIntosh Monthly, but found myself scrambling to rescue it after reading through the mini-biographies that described the portrait subjects from inside that issue:
But wait, Sara Haden was Charlotte Walker’s daughter. I wrote about Haden awhile back and, hold on, Sara Haden was born Katherine Haden in 1898. And so, Burr McIntosh Monthly had published a photo of a five-year-old Sara Haden for no other reason than her being the beautiful daughter of the then popular stage actress Charlotte Walker.
While Sara Haden is rumored to have played juvenile roles in some of her mother’s plays, she did not come into her own as an actress until she was 21. She then spent most of the 1920s on Broadway where she remained until making her Hollywood debut in Spitfire in 1934.
I recall Sara Haden best as Andy Hardy’s Aunt Milly in her fourteen Hardy family appearances at MGM, but her time spent working alongside Mickey Rooney and company garnered only brief mention when Haden’s career was recalled at the time of her death in 1981. The following headline from The Miami News sums up how Sara Haden was best remembered:
Granted, the story ran with a larger than expected photo of Haden aligned left just under the headline, so there could be no confusion as to just exactly who this big meanie was.
Haden appeared in two Fox titles featuring Shirley Temple in 1936, Captain January, where she made the reputation recalled in that headline, and Poor Little Rich Girl, in which she’s strict, though not truly mean, as Shirley’s governess.
Dead or alive? Only these extras seemed to care.
Poor Little Rich Girl provides a moment of vengeance to Shirley Temple fans in disposing of Miss Haden’s Collins in a violent car wreck. That accident may or may not have killed the character but certainly was the inciting incident in leading Shirley to a lot of fun alongside Alice Faye and Jack Haley. Sara Haden makes an early exit in Poor Little Rich Girl leaving Shirley and viewers to worry far more about the devious intentions of the seemingly always devious John Wray.
John Wray, peeking in Shirley's bedroom window in Poor Little Rich Girl.
It was the earlier movie, Captain January, that launched Sara Haden as the ultimate sourpuss or at least caused her to be remembered that way as many as forty-five years later.
Haden plays Miss Morgan in Captain January, a truant officer who takes special delight at the prospect of yanking little Star (Shirley Temple) away from her guardian and best friend, the lighthouse keeper Captain January (Guy Kibbee).
Miss Morgan reads the riot act to Captain January
Miss Morgan appears just after Star has finished a bit of song and dance along the docks with Buddy Ebsen's unemployed sailor, who instructs Star in the art of how to “spit a curve in the wind” as the disagreeable woman enters the scene. After a decent sassing from Star and an inquisition revealing Captain January as Star’s guardian, Miss Morgan decides that the little girl isn’t being raised properly and that she has the power to remedy the situation. Star and the Captain, with an assist from Captain Nazro (Slim Summerville), foil Miss Morgan’s plan to place Star in an orphanage after she aces a school examination that was supposed to prove her ignorant upbringing. But Miss Morgan won't give up and when Captain January loses his position at the lighthouse she pounces on the opportunity to take Star away from him.
Haden, momentarily victorious as Shirley bawls in Captain January
Obviously Star and the Captain win in the end, this is after all a Shirley Temple movie, but Miss Morgan unfortunately just recedes into the background with barely a whimper once she is defeated. Just to be spiteful she does threaten the schoolteacher's (June Lang) job before she goes, but that doesn't seem to concern anybody all too much.
Her obituaries included note of Haden remembering that children shunned her because of her villainy in Captain January. "Even my own nephew looks at me with baleful eyes," Haden said. Perhaps she should have threatened him with a visit from John Wray:
The most terrifying moment of Poor Little Rich Girl in which John Wray finally catches up to Shirley. At best he's a potential kidnapper, at worst, he's much worse.
Or, probably better, gone the more wholesome route and sent him off to the movies for the latest Hardy entry.
Not so mean: The standard Hardy family cast, left to right, Lewis Stone, Fay Holden, Sara Haden, Cecilia Parker and Mickey Rooney.
First of all, I want to say welcome to the CMBA. I was shocked when your blog was on the ballot—I assumed you were already a member and had been for years. Your blog is so wonderful and professional.
That 1904 portrait is beautiful. I love the little girl’s expression…and those eyelashes are to die for!
While I’ve seen many of Shirley Temple’s films, “Captain January” and :”Poor Little Rich Girl” are ones which have never crossed my path. I look forward to catching them one day, along with “Little Miss Marker,” which everyone seems to rave about.
Hi Patti,
Thanks for the welcome! I was in the CMBA for years, but it was with my Warren William site. I withdrew that one due to inactivity a year or two back (and I may wind up rolling those posts into this site eventually).
Those early Burr McIntosh magazines are simply loaded with beautiful portraits such as “Kathleen.” While it’s too early for most movie stars (it was published 1903-1910) a few do slip in when they’re younger (I’ve seen George Arliss and May Robson) and there are plenty of major theatrical names from the period as well. Another interesting movie connection is that McIntosh, besides being a publisher and photographer himself, was a well known actor, best remembered for his appearance in Griffith’s Way Down East.
Add me to the chorus on Little Miss Marker. Once you have it on you don’t need anyone to tell you that it’s Damon Runyon.
Cliff
I tend to think of Sara Haden as fully-formed as a middle-aged woman. She sounds like a delight. She is just so hateful in “Captain January” that it is not to be borne.
I may have to go hunting for some 1920s Broadway shots of her. She didn’t make her movie debut until she was 35-36 years old, so your perception is pretty much dead on. Now you’ve got me curious as to whether she had a bit more glamor when she was 10-12 years younger. I haven’t seen any pics of Haden in between the kiddie shot up above and 1934!