Ten authors spoil the broth in Paramount pre-Code The Woman Accused (1933) starring Nancy Carroll and Cary Grant. Featuring one shocking scene with Grant, Jack La Rue, and a rawhide whip.
Noted for pairing Clark Gable and Carole Lombard a few years before they began their romance, Paramount’s No Man of Her Own (1932) is entertaining beyond their unsurprising screen chemistry. Post features several background notes about film’s complicated pre-production.
One passenger drops after another in Terror Aboard (1933), Paramount’s pre-Code preview of the far-off slasher genre. An all-star cast of B-players is led by John Halliday in this tale of multiple murders at sea.
Wallace Ford’s head swells after wife Helen Twelvetrees helps make him a radio sensation in Columbia pre-Code My Woman (1933) Also starring Victor Jory, Claire Dodd. Directed by Victor Schertzinger. Article excerpted from Helen Twelvetrees, Perfect Ingenue.
Change of Heart (1934) boasts the final pairing of Janet Gaynor and Charles Farrell. From director John G. Blystone for Fox Films with James Dunn and Ginger Rogers.
Jean Harlow lobbies for Red-Headed Woman and emerges as one of MGM’s top stars. Background notes on the film accompany a look at this pre-Code classic adapted from a Katharine Brush novel. The movie also stars Chester Morris, Una Merkel, and Leila Hyams. Directed by Jack Conway.
Edmund Lowe stars in Attorney for the Defense, second of four 1932 pre-Code crooked lawyer movies based on the exploits of William J. Fallon. With Evelyn Brent and Constance Cummings; Directed by Irving Cumming for Columbia.
Warner Baxter stars as a love-struck politician who is assassinated just before a key international vote. Science gives him another 6 Hours to Live after a powerful ray brings him back to life. Also starring Miriam Jordan and John Boles. Directed by William Dieterle. A 1932 Fox Films release.
Ripped from the headlines: New York’s Vice Squad scandal in Paramount pre-Code The Vice Squad (1931), starring Paul Lukas in a part inspired by Chile Acuna, with Kay Francis and Judith Wood. Directed by John Cromwell.
A pre-Code set around a dance hall starring Barbara Stanwyck with Monroe Owsley and Ricardo Cortez, and I didn’t like it? Uh uh. Here’s what I didn’t like about Ten Cents a Dance (1931).