Ten authors spoil the broth in Paramount pre-Code The Woman Accused (1933) starring Nancy Carroll and Cary Grant. Featuring one shocking scene with Grant, Jack La Rue, and a rawhide whip.
Noted for pairing Clark Gable and Carole Lombard a few years before they began their romance, Paramount’s No Man of Her Own (1932) is entertaining beyond their unsurprising screen chemistry. Post features several background notes about film’s complicated pre-production.
One passenger drops after another in Terror Aboard (1933), Paramount’s pre-Code preview of the far-off slasher genre. An all-star cast of B-players is led by John Halliday in this tale of multiple murders at sea.
Ripped from the headlines: New York’s Vice Squad scandal in Paramount pre-Code The Vice Squad (1931), starring Paul Lukas in a part inspired by Chile Acuna, with Kay Francis and Judith Wood. Directed by John Cromwell.
Josef von Sternberg’s Underworld (1927) inspires a cycle of gangster films that stretches beyond the late silent era. A look at the performances of George Bancroft, Evelyn Brent, and Clive Brook, and the relationship between their characters.
Paramount pre-Code sex farce turned romantic-comedy A Bedtime Story (1933) stars Maurice Chevalier and Helen Twelvetrees, and introduces the world to Baby LeRoy.
Brief look at Paramount’s One Hour Late, a late 1934 release starring Joe Morrison and Helen Twelvetrees. Action takes place over single day at an office. Directed by Ralph Murphy.
Brief look at Paramount pre-Code THE GIRL IN 419 (1933), gangster movie and hospital drama starring James Dunn with Gloria Stuart, David Manners, and William Harrigan. Directed by Alexander Hall and George Somnes.
Brief look at Dr. Cyclops (1940) a sci-fi/horror blend from Paramount. Plays like ’50s science fiction, but a little slow in doing so. Albert Dekker stars.
Lightning review takes a brief look at transitional Paramount talkie Chinatown Nights (1929) starring Wallace Beery, Florence Vidor, and Warner Oland. Directed by William A. Wellman.