A second look at pre-Code classic Three on a Match (1932) includes an appraisal of early Humphrey Bogart movies, contemporary reaction, and a checklist of stars. Plus Warren William.
A wild pre-Code con man romp directed by Roy Del Ruth for Warner Bros. and featuring the great chemistry of James Cagney and Joan Blondell. Blonde Crazy released in November 1931. Supporting cast highlighted by Louis Calhern, Noel Francis, Guy Kibbee, Polly Walters, and a very young Ray Milland.
Helen Twelvetrees stars in pre-Code sizzler Millie (1931). Millie leaves her husband after she catches him cheating and she puts monogamy behind her once her boyfriend is caught with another woman too. Can Millie be an independent woman in 1931 and protect her daughter from an even more perilous relationship?
Digging into Joe Donahue, talented vaudevillian dancer who replaced his late brother, Jack, opposite Marilyn Miller in the film version of Sunny. He also appeared in Expensive Women and two Dorothy Mackaill titles during his stay with First National, 1930-31. Piecing together some of the mysterious Donahue’s life and discovering, once and for all, the date he died.
Blondie Johnson (1933) stars Joan Blondell as Warner Brothers and First National’s “lady gangster” opposite Chester Morris. Directed by Ray Enright with a deep cast including Sterling Holloway, Allen Jenkins, Mae Busch, Toshia Mori, Arthur Vinton and Claire Dodd.
An appreciation of Glenda Farrell’s 1930s Hollywood characterizations, especially Torchy Blane, combined with a complete biography of Farrell.
Eric Linden finds fun, trouble and Joan Blondell in Depression-era New York in Warner Bros.’ Big City Blues (1932). Directed by Mervyn LeRoy with an unbilled supporting appearance by Humphrey Bogart along with several others.
Publisher Lewis Stone needs a new secretary and Dorothy Mackaill gets the job in The Office Wife (1930). Great dialogue in this pre-Code hit, with many of the best lines coming from Joan Blondell.
A look at Joan Blondell’s career up until the time of Nightmare Alley with a special focus on her Zeena the Seeress from that film noir classic starring Tyrone Power.
Columbia’s The Corpse Came C.O.D. (1947) was the most interesting of my blizzard viewing, though not because of stars George Brent and Joan Blondell but the quick flashes of Hollywood Gossip Columnists which helped put faces to a few more names.