World Wide’s Uptown New York (1932) turns out to be more than a Bad Girl (1931) rip-off. With biography of Viña Delmar, who wrote both original stories.
Classic Movie Reviews by Cliff Aliperti
Spoiler-free reviews of movies from Hollywood's Golden Age, especially the 1930s. Most reviews also include research into background of the film and, when relevant, the history surrounding the subject of the movie.
Edward G. Robinson in an early gangster role that’s supposed to take a backseat to early talkie attraction Alice White. Film works for fans of both.
Murder-mystery GIRL MISSING (1933) ignores its murder and telegraphs its mystery, but Glenda Farrell manages to carry the day anyway. An excellent pre-Code showcase for the actress. Good support from Guy Kibbee, Helen Ware, and Ferdinand Gottschalk.
A look at lost Universal horror film The Cat Creeps (1930) starring Helen Twelvetrees. Contemporary reaction. Piecing the lost film together from Boo! and various versions of The Cat and the Canary.
Josef von Sternberg’s Underworld (1927) inspires a cycle of gangster films that stretches beyond the late silent era. A look at the performances of George Bancroft, Evelyn Brent, and Clive Brook, and the relationship between their characters.
RKO-Pathe pre-Code Young Bride (1932), aka Love Starved, features great period slang throughout a lower middle-class slice of life in the city. Stars Helen Twelvetrees with excellent work from leading man Eric Linden, and Arline Judge in support.
Contemporary reaction to William A. Wellman’s Wild Boys of the Road (1933), plus writer Danny Ahearn, and a peek at Thomas Minehan’s study “Boy and Girl Tramps of America.”
Margaret Sullavan stars as innocent orphan who plays good fairy. Frank Morgan pursues, Reginald Owen protects, and Herbert Marshall falls in love in The Good Fairy (1935), a Universal film directed by William Wyler from a screenplay by Preston Sturges.
Richard Dix stars as a pacifist sculptor turned bloodthirsty World War I Ace of Aces. Morality story with good action, complicated character. With Elizabeth Allan.
Another slice of America in his time offered by Vidor in The Wedding Night (1935), a romance starring Gary Cooper and Anna Sten. Helen Vinson also impresses as Cooper’s wife.